Anyone who reads the
statement of George Bernard Shaw “A Fashion is nothing but an induced epidemic”
may not take this as just yet another piece of satire characteristic of this
great thinker, but may feel it is a pretty unfair statement. Leaving aside the
bias one might feel on his words, we pass on to another humorist who said,
“Fashion is a form of ugliness so intolerable that we have to alter it every
six months.” Opinions about fashions have fashioned themselves from time to
time. Yet the spirit of fashions has survived.
How do we define a
‘fashion’? Though for a long time this word has been mostly representing a
culture of clothes and wearables, one is impressed with the statement of Coco
Channel, the French designer who said “Fashion is not something that exists in
dress only. Fashion is in the sky, in the street, fashion has to do with ideas,
the way we live, what is happening.”
Martina Micci, the famous
Italian fashion designer puts it succinctly “Fashion is an instant language”
In a world haunted by
change, the life-period of ‘fashions’ have become so short that we possibly see
the changes of fashions at every dawn and dusk. From sporting a latest T-shirt
to the sun glasses, one wears, from the use of the mobile phones to the
language one uses, the changing fashions have impacted both our thought
architecture as well as our life-styles. No wonder, increasingly the imageries
of fashion get displayed as the ‘fashion statements’ – in verbal, non-verbal, material
and representative architectures.
People tend to make their
fashion statements either directly or indirectly in all their activities
including the workstations. Many corporates have their own unique ‘fashion
statements’ made – as a brand strategy or as a marketing missile to capture the
attention of the target clientele.
A few strategies include:
- a. \\\Wearable clothes
- b. Wearable workstyles
- c. Wearable personal profiles
- d. Wearable technologies
- e. Brand communications
Let us try to make note of
the few:
1. Wearable
clothes:
Clothes
are indeed representative of the “fashion message” of an organization. They do
indicate the professional spirit, psychological preparedness, work commitment
and the “SMARTNESS” of the company or industry. They largely give a positive
image about the organization and what it stands for. As a well-renowned fashion
designer remarked “Simplicity is fashion”. Hence such outfits need not
necessarily be costly, but need to be good enough to send the required message.
Flight attendants, Pilots, Nursing assistants, uniformed services and the like
generously draw a respect and display the authority of the profession. Several
corporate brands do insist of the fashion statement of their employees which is
essentially an effort to articulate a uniform thought culture and a shared
vision. When Albert Einstein remarked “Even on the most solemn occasion, I got
away without wearing socks, and hid the lack of civilization in high boots” he
only confirms his absent mindedness to the civility. However, an exception
never makes a statement.
2. Wearable
work styles:
”
Work styles” people wear does convey a meaning and wisdom of the organization.
Right from the design of the workstations to the articulation of the workspace,
the company’s fashion statement is a catalyst to several outputs including its
productivity. Defined KPAs, freedom of operation, levels and stages of decision
making, time related performances, escalation procedures of an organization
clarify the work styles and hence the SOPs. The sensitivity of the work styles
to modern work constraints, stress management issues, enabling and delivering
trust are some organizational statements succinctly communicated in the current
business prospects to the negotiating tables. “Meetings over a cup of coffee”
in coffee shops outside the organization, “fun times” to develop and sustain
relationships “work from home” for stress free scheduled deliveries, ‘field
trips’ with distributors and clients speak volumes of the wearable work styles
of an organization. The organizations should remember the classic statement “Fashions
change, Styles endure” Organizational work cultures should reflect this spirit.
3. Wearable
personal profiles:
The ‘personal
profiles’ of every employee in an organization is itself a statement. Some of
the wearable personal profiles include –
- a. Scope for scaling up on a learning curve
- b. Value for the skill profile of the employee
- c. Facilitation tools and environment for unlearning-relearning
- d. Leadership and other HR skills
Every
employee is an asset to the organization and hence empowered personal profiles
add asset value to the organization. In the fashion parade of the personal profiles
of the employees, the organization needs to ensure their ‘the fitness’ level. It
is important to remember the saying “Don’t change to fit the fashion, but
change the fashion to fit you.”
4. Wearable
Technologies:
The “fashion”
of technologies is fast changing and quite mind-boggling. The speed of change
is haunting the “fashion profiles’ of the organizations and hence their market
value, their global profile and the speed of their profit cycles. Hence
organizations are under compulsion to re-examine their technology profiles
frequently sometimes at prohibitive cost which in turn will impact their market
costs. Further the profiling of their technologies creates a market value for
their own shares and future business prospects. Technologies also indicate
their future preparedness along with their own learning curve. No organization
can therefore avoid making a powerful fashion statement about their existing
and future technologies in an ongoing manner. “Automation” is no more a ‘selling’
concept as against ‘intelligent technologies’. The challenge of customizing ‘intelligent
technologies’ to local specifications and procedures in a time-bound manner at
affordable costs is indeed a concern for most organizations. The fashion
statement about technologies is therefore an agenda for most organizations.
5. Brand
Communications
Profiling
the brand of the organization appropriately inclusive of all its
multi-dimensional features and exclusively to differing client groups with
different aspirations and attitudinal structures is another emerging challenge.
The fashion statements which are crisp, committing and contextual reap their
harvest. The life-profile of these statements could be short and hence may need
to be revisited periodically to regenerate them to a newer platform to ensure
the sustenance of their reach. Organizations which have a long legacy where their
age-old fashion architectures still speak volumes because of the erstwhile
neural structures they have established need to replenish with newer architectural
interventions that add value to the current profile of their organization without
destroying its inherited value.
Fashion statements of the
organizations need not be considered as input to market acquisition or
aggression but “as an art of self-expression, not as excuse to be pretty,
popular or charismatic.”
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